One day, thinking about how I’ve reached the pinnacle of my current career in science (as far as I’m willing to go anyway) and how frustrated I am with it overall, I started thinking about what else I could do with my life. What would give me my enthusiasm back? I ran across an inspirational article that asked, “What have you always wanted to do? Maybe that’s why you’ve been put on this earth.” I instantly knew, for me, the answer was writing. Yet, I had half a dozen stories stalled at the 10-30 page mark, one overly long sci-fi novel written in my teens that was justifiably rejected dozens of times, and I didn’t know how I was going to turn that ‘calling’ into a reality.
My other love is movies and television (not just any television:I’m a DVD watcher and, unable to endure commercials, haven’t sat through normal programming for about ten years). Then I had an honest to god epiphany–people write for movies and TV don’t they? This inspired me to write a couple of fan fics in teleplay format. I starting reading more on the subject and heard mention of “The Screenwriter’s Bible.” I devoured it, and the book turned my whole story telling life around. I wrote a movie length screenplay, three episodes of a series of my own conception…and even though I haven’t tried to sell any of it yet, considering them all writing exercises, I discovered that I had learned about plotting and telling a complete story. I now applied this to a manuscript that had been sitting around for years and finished it. Admittedly, the novel took a lot longer to complete than a screenplay (I can write an hour long drama episode in a week), but I now had the confidence to keep at it.
Since then, I’ve read dozens of books on writing everything from novels to plays, as well as screenplays, and I truly believe that someday, with practice and persistence, I will have a novel published. I may even get a screenplay optioned, who knows? Thank you “Screenwriter’s Bible”!
Some people start with short stories, but for me it was screenplays. They taught me to focus on visuals, on story in its purest form, uncluttered by prose, and that practice has also helped make dialogue one of my personal strong points. In screenwriting, brevity and clarity and story are everything, and dialogue is the only place where the author’s actual words will be conveyed to an audience. Therefore, dialogue has to have a punch, but it has to further the story, chracterizations, etc or be cut. It’s wonderful.
Now that I’m focused on novels, I’m learning to flesh out my prose and to take advantage of the ability to hear a character’s thoughts, to convey sensations such as smell and touch, areas where screenplays are limited. There is so much to learn and try and do, and I really feel that I’m on the right path.
Thanks for reading! More posts on books, film, and writing can be found on my website at Lorel Clayton Author.